August 31, 2015

We, The Bodies Of The People: a poem in the flesh

We, The Bodies Of The People—                    
Nosotros, Los Cuerpos De La Gente

Fascist War Lords of 2015—now hear this:
Power is weak. R
ich is poor. Greed is evil.
Babies die in the noxious pus of your wars
but you can’t defeat love from this world.

Our bodies in friendship cant be defeated.
Own our banks, Internets, and armies, but
we
hold all the world’s wit in our breath.

No wit exists in world control and greed,
no love in
endless wars you ignite at whim.
Your karma crunches beneath our feet, for
all fascists
are reborn as cockroaches—
todos fascistas renacen como cucarachas.
We, the bodies of the people speak:
we‘re higher in power than bombers.
We sing, write, dance—love others.

No bullets or bombs can kill love, but
cockroaches can stomp your souls in hell.

       (art by Anne Abrams)

August 25, 2015

Love’s Curse, a barbed poem

Love‘s Curse

If God is love, youre
hate to my eyes when
I see you kiss another man.
Who tastes my love as deep?
If love hugs pain
too often, it
kills all the sanity in a heart.
I refuse to be a blind Van Gogh,
a deaf Mozart, Pavarotti without
a throat,
Don Quixote‘s windmill.
While God enjoys my craziness
I starve near the sweetness you
hold from me at arms length.

So I‘ll love you in absentia:
your ghost will kiss mine,
my ghost will kiss yours.
Even heaven feels cheated
when
the guests reserve
their rooms in
hell. 

(Art installation by Ai Wei Wei.
Photo by Anne Abrams.)

August 6, 2015

Requiem for Guitar, a poem to rescue

Requiem for Guitar 

I pluck her from a bin in
an alley where she waits for
ex-con garbage men to escort
her carcass to a landfill covered
by seagulls, none of whom can
play drop-D bottleneck style.
She’s unplayable: the kind
of throw-away god
I usually deserve.

She raises an eyebrow one semi
tone to wink into my curiosity.
How did a pretty girl like you
fall into such disgrace as this?
You can’t answer in tune
if
you bend every note
pla
yed before the moon.
Avoid garbage day,
play for me—I‘ll sing.

I carry her home in hopes
her tiny coffin can save
my sinful fingerings.
My strings hug her now
but her song still hides
deeper than touch
within her wood.

    (Art by Anne Abrams)

July 31, 2015

Standards of Uncertainty, a Hestian poem

Standards of Uncertainty

Please don’t love who I say I am,
no
r parts of me I enjoy the most—
but love the parts of me that last,
the progressions which save me.
No less than oxygen’s air,
no less than carbon’s earth
do these principles save us
from harm’s misspoken words.
If I forget you, I forget my hands—
if I forget me, I forget touch itself
so I do remember to remember.

No joy lives in fire when the eye
of my Hestia light
s my shadows
like rain stops fires, but not its pain.
I hold your hand for mere seconds
which leads to a painful pleasure
in
the shadows of one goodbye. 

(Art by Anne Abrams)

July 15, 2015

Ex Atticus Finch, No Deus, a poem without pity

Ex Atticus Finch, No Deus

A god in a machine, like Atticus Finch,
lives between chance and the law of karma
as does my coffeehouse server and me, but
no professors rave about our perfections—
no critics compare our rants with Aristotle—
we’re too flawed, we carry rags for spills.

The heroes of prayers themselves might kneel
in the rest room, but no line of bladders wait
to argue their urgent points with my principles.
Humans in the flesh swim in mystery enough
that no heroes need float us past our bigotries
we’re full of coffee enough to join that line.

We writers allow our machines to propagate
our worst instincts into principles of action—
may rejection and spillage be our worst fears.
We all die no matter how many Hail Marys
we flaunt on Saturdays or hide on Sundays—
we only judge words that piddle on floors.

        (Art by Anne Abrams)

July 4, 2015

Waves, a poem within the undertow

Waves

I throw my eyes into a wave,
whisper to it with a stretch of skin
to tease the surf slang reply I need.
Fingers search for straight strokes,
but legs merge with mermaid tales
to mix wave suds into my words
as my mind’s nerve cries for help,
cries for the balance in flotation.

No books keep my ocean awake,
no principles preach or argue any
currents of displacement or loss.
Ribbons of seaweed press doubt
over a hope to find god in water:
John the Baptist kneels in sand,
Poseidon’s trident dies in hand.

Swimming is a form of silence, so
non-friction demotes any squid ink
beneath these seabeds to fade—to
recycle tips for subconscious lips.

Waves drum my ears, shoulder
me under them to dissolve my
perfections and beg my hands
for motion, rhythm, and rhyme,
motion, rhythm, and rhyme.

    ( Art by Anne Abrams )

June 27, 2015

Quizzical Gal, a poem of female enlightenment

Quizzical Gal

After she tamed her tiger,
she gave her name away and
kissed a lover goodbye. She
walked from Tibet to Sri Lanka
to teach awareness of breath,
and freedom from want.

She gave up
dal tarkari rice,
dresses of gold
with rubies,
ruling Shakya as its Queen,
passionate kisses of a king,
and mother to a buddha.

She sang fifty songs of sadhana for
poets, dancers, and
the bhikkhunis
so they attained buddhi as equals,
despite the sadness that buried her
deep in a cave for thirty years.

On Mount Sagarmatha they can
still hear her song at
midnight:
“Moonlight of mine, love me true.
I carried the light to beings in blue,
let me rest in peace in my dark place,
to answer the meanings in life I face.”

   (Art by Anne Abrams)

June 9, 2015

Hostage, a poem held for ransom

Hostage

Which imaginary enemy
chases your good sense south
when fear pushes from the north?
Why does your hideout need to
steal the identity of my home?
Did something break the heart
of your most gentle name?

Run away, if you have to, but
don’t leave writs of anger behind—
I require a warrant before you use
words to turn friends into hostages.
Habeas corpus demands my right
to prove beyond shadows you laced
the body of your sweet rhymes with
five kinds of honey and arsenic.
It’s my right. I refuse to speak.

If you can’t bear betrayal’s sin,
tell truth
s without condiments,
without subplots
that cheat my
appetite for facts and beans.
Kidnapping is still a crime in
almost every state of mind.

May 31, 2015

Once Balanced, a poem on its edge

Once Balanced

What favor of gravity holds me
down among six billion dizzy people?
Mother says I never fell down as a baby:
the careful teeter was my toddler step.
So does evil live in my ear’s cochlea to
dangle me over deeper canyons of fear?
Do supporting metaphors of recovery
from my middle-ear imbalance work
a blueprint for today’s problems of
love’s death and the deathly fiction
which lives under my life of words,
a life of expressions unheard?

I never fall off a meditation pillow
if I’m awake enough to tilt my head.
I never fall off my bicycle, if I’m quick
as the murder in the eye of a motorist.
I never fall off the wagon of equanimity
if I let greed pass the consuming fires
of pride in craft and beauty of rhyme.

But, what if a will of a wisp of a wind
blew through me to carry my mind above
the rain, the pain, and the too tame?
I learn to trust what howls in my ears.


      (Photo by Anne Abrams)

May 22, 2015

If Real Hate Lives, a poem of love

If Real Hate Lives

I no longer bank my fire, but
pitch hot flame at the door of
the cage I’ve locked into myself.
Can I save saving itself? Or its heat?
Since keyholes won’t swallow hate,
I must abandon too-careful words
that cower among the meek toys
and zoo-animal books in closets.
I leave them to burn away.

I leap from the smoke cloud, skid
the back porch like A.J. Foyt, sprint
like a Christian lion from sacred flesh,
jump onto a boxcar made for peaches,
and stand in the doorway to watch
my hometown float into its own surf.
My escape is a voyage to utopia where
boys in brown skin with tart tongues
play an endless game of baseball on
dirt the color of real white people.

I’m not too late, if hate lives,
because I learned it well—
the only real fuel I know.

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