Here’s an excellent interview from Poets & Writers with the agent, Molly Friedrich. It’s an in-depth view of the world from one of the best agents in the publishing business. Enjoy.
Kay Ryan wins the Pulitzer for her poetry
Just because she won the award, it doesn’t mean she isn’t a fine poet. She won the Pulitzer for “The Best of It: New and Selected Poems.” This is one of her poems:
THINGS SHOULDN’T BE SO HARD
A life should leave
deep tracks:
ruts where she
went out and back
to get the mail
or move the hose
around the yard;
where she used to
stand before the sink,
a worn-out place;
beneath her hand
the china knobs
rubbed down to
white pastilles;
the switch she
used to feel for
in the dark
almost erased.
Her things should
keep her marks.
The passage
of a life should show;
it should abrade.
And when life stops,
a certain space—
however small —
should be left scarred
by the grand and
damaging parade.
Things shouldn’t
be so hard.
“Things Shouldn’t Be So Hard” from The Niagara River by Kay Ryan, Copyright © 2005 by Kay Ryan. Used by permission of Grove/Atlantic, Inc.
From Tesora: Ronan’s Puerto Rico fishing boat
So . . . is your novel in the Young Adult category?
Is Tardy Son a Young Adult novel? This was asked my by another writer, Kimberly Elkins, after I told her about my novel. I had written most of it already and was on a final rewrite. I never did intend it that way, so I finished it with the same intention, but then took this test she gave me:
Test for “Tardy Son”:
Young adult literature has certain unique features which set it apart. Books for teens are often written in the first person and usually have:
• a teenage protagonist [ YES ]
• adult characters as marginal and barely visible characters [ NO ]
• a brief time span (the story spans a few weeks, yes, a summer, maybe, a year, no) [ YES ]
• a limited number of characters [ NO ]
• a universal and familiar setting [ NO ]
• current teenage language, expressions, and slang [ NO, HISTORICALLY SET IN 1958 ]
• detailed descriptions of other teenagers’ appearances, mannerisms, and dress [ NO ]
• a positive resolution to the crisis at hand (though it may be subtle and never in-your-face moralistic) [ NO ]
• few, if any, subplots [ NO ]
• about 125-250 pages in length (although many of the newer YA books are much longer) [ YES, 225 ]
• a focus on the experiences and growth of just one main character [ MAINLY, BUT NO ]
• a main character whose choices and actions and concerns drive the story (as opposed to outside forces) [ MAINLY, BUT NO ]
• problems specific to adolescents and their crossing the threshold between childhood and adulthood [ MAINLY BUT, YES ]
SCORE:
YES, YA = 4
NO, YA = 9
Conclusion? INCONCLUSIVE, BUT IT REALLY DOESN’T MATTER.
Is the writing good? THAT MATTERS.
Tweet Shakes Al Jazeera—no injuries reported
Quinn Norton just tweeted me that she saw one of my tweets on Al Jazeera news (something about Japan, I’m sure). I have a friend in Yokohama who’s been updating me on events: Renee Watanabe, her blog. Another aftershock happened, she said, at about 10:30 a.m. EST. Strangest form of being published I’ve ever heard. Prayers for Japan are being accepted from anywhere today.
A fine interview with Mario Vargas Llosa and the point-of-view of a donkey.
On Michael Silverblatt’s Bookworm radio show (KCRW) there’s a fine interview with Mario Vargas Llosa. They discuss how realist stories have supplanted magicalism in Latin American literature and the use of humor. They talk much about writing itself, and the point-of-view of a donkey. The link is: http://www.kcrw.com/etc/mario-vargas-llosa




