Posts tagged ‘novel’

March 7, 2011

A fine interview with Mario Vargas Llosa and the point-of-view of a donkey.

On Michael Silverblatt’s Bookworm radio show (KCRW) there’s a fine interview with Mario Vargas Llosa. They discuss how realist stories have supplanted magicalism in Latin American literature and the use of humor. They talk much about writing itself, and the point-of-view of a donkey. The link is: http://www.kcrw.com/etc/mario-vargas-llosa

March 7, 2011

Writing: The Sweetest Curse

Writing is like pro football—you have to work at it until you sweat every day (and, of course, the injuries are more severe).

February 22, 2011

Writing: Abuse Most Pleasurable

I just spent an hour typing a new page into my novel while sitting in my underwear on the edge of my bed. I’m in bare feet, it’s ten degrees out, and there’s no heat in my bedroom. My skin is freezing. But my story is set on an island near Cuba where it’s eighty-five degrees in the shade, so I’m warm as a fetus . . . in my mind. My feet, however, are suing my brain for negligent affliction of frostbite and they want an immediate divorce. I’m hoping my heart will step in and adjudicate the matter, but it’s too busy being happy about the page I wrote. Sometimes writing is a form of abuse most pleasurable.

February 20, 2011

Plot teaser for Tesora

After a sixteen-year-old cabin boy steals pirate gold, he is left marooned, but he finds a new life in Cuba and falls in love with the daughter of a slave. His hopes for happiness turn to doubt when the pirates surround him and the townspeople must decide whether or not to fight to save the life of the only white man in town.

February 11, 2011

How to Write a Great Novel

If you want to write a great work of fiction, there is no better
(or worse) dictum than John Bunyan’s. I guess this should be
listed in the If-You-Have-to-Ask category.

From: THE PILGRIM’S PROGRESS
by John Bunyan

The Author’s Apology for his Book

{1} When at the first I took my pen in hand
Thus for to write, I did not understand
That I at all should make a little book
In such a mode; nay, I had undertook
To make another; which, when almost done,
Before I was aware, I this begun.

—DELIVERED UNDER
THE SIMILITUDE OF A DREAM

Write on . . .

January 29, 2011

See If You Can Beat Me

I entered the 20th Annual James Jones First Novel contest. Not sure if this a good step towards sharing my writing, or an expensive lottery ticket. Will you try? Any first novelist may apply.

It will be awarded to an American author of a first novel-in-progress, in 2011, by the James Jones Literary Society. Novellas and collections of closely linked short stories may also be considered for the competition.

The award is intended to honor the spirit of unblinking honesty, determination, and insight into modern culture exemplified by the late James Jones, author of From Here to Eternity and other prose narratives of distinction. Jones himself was the recipient of aid from many supporters as a young writer and his family, friends, and admirers have established this award of $10,000 to continue the tradition in his name. Two runner up awards of $750 each will also be given by the Jones Literary Society.
Apply Here

January 23, 2011

A short synopsis of Tardy Son

Tardy Son, a novel

When a 13-year-old California boy’s attempt to run away from his abusive home is thwarted, he defies the police, and wages a war against his father. His first attempt to escape by jumping onto a freight train bound for San Francisco becomes an odyssey. He wants to start an imaginary baseball team, go to an imaginary school, and become a real writer. But when cornered by the police and angered by the lies his father tells the newspapers, he uses his wit and humor to fight back and publishes his own version of the runaway story which becomes infamous throughout California. He writes his real, day-to-day story for his teammates, his girlfriend, and his father to read. When he finally faces his father again, his anger draws blood, yet it also reveals a deeper story. He’s a polio survivor and a Mexican adopted by a white family in the 1950s, so his fight for his truth becomes more than a struggle to survive life on the street—it becomes a struggle to find his own identity.

December 27, 2010

Dorothy Parker on living a poor writer’s life—

INTERVIEWER: Do you think economic security is an advantage to the writer?

PARKER: Yes. Being in a garret doesn’t do you any good unless you’re some sort of a Keats. The people who lived and wrote well in the twenties were comfortable and living easy. They were able to find stories and novels, and good ones, in conflicts that came out of two million dollars a year, not a garret. As for me, I’d like to have money. And I’d like to be a good writer. These two can come together, and I hope they will, but if that’s too adorable, I’d rather have money. I hate almost all rich people, but I think I’d be darling at it. At the moment, however, I like to think of Maurice Baring’s remark: “If you would know what the Lord God thinks of money, you have only to look at those to whom he gives it.” I realize that’s not much help when the wolf comes scratching at the door, but it’s a comfort.

December 17, 2010

Rock&Roll Song from Skeezer

My new character from the new WIP writes a 24-word chorus about how she feels about her ex. Imagine a speed-punk sound welded to a cut-time reggae romp. No? Do your homework.

Twenty-Nine

Deaf dumb and blind heaven, where are you?
Is there a cloud there, not colored blue?
Can I get a bootless note to save me mind?
When will the bootless boy kiss me behind?

December 12, 2010

Interesting Interview with Lan Samantha Chang on Bookworm

Of course, good writing can’t really be taught, although parts of it can be learned. But if one wanted to learn to be a good writer, it wouldn’t hurt to listen to someone like Chang.

http://www.kcrw.com/etc/programs/bw/bw101118lan_samantha_chang_a/embed-audio